A few weekends ago I had some fellow re-enactors over to build some bedframes.
We’ve been trying to bring our re-enactment up a notch in the last couple of years, and are hoping to approach the “zero-foot rule” this year. That means that our cots and futons are disappearing, even from our private tents, to be replaced by proper beds.
The difficulty is that there is very little evidence of bed construction circa 1372 in northern europe. Most surviving beds are renaissance affairs and unlikely to have much in common (visually) with those of a hundred years earlier. We can say a couple of things though: pretty much all the beds of the period that we see drawn are completely covered with draperies and bed spreads. We can sometimes see a little leg, or corner posts on canopy beds (which are above our stations…).
We’ve chosen to use a construction method that would not look alien to a carpenter of the era. We’re basically building an over-sized clamped-front chest. It’s a sturdy construction that allows for wood movement and is fairly efficient of materials. Furthermore, the construction is easy to make break-down for transport, a boon to reenactors everywhere.
The biggest departure we’ve made is in material. We’ve chosen to use cedar instead of the ubiquitous oak. Oak would have easily doubled the weight of the finished product, and trippled the construction cost - white and red oak are not native to this part of the world. As is, we were able to get some good quality red cedar from a local sawmill at a good price, and used it. With some stain it won’t be immediately obvious that the wood is off, and with some decent fabrics to drape the beds they should look pretty good.
We were 6 in the shop for a day and a half, working from rough lumber to finished joinery. I was the only experienced woodworker, and we all got to finish our joinery and end the weekend with beds.
Here are some photos of the process.

We processed a lot of lumber - lots of 2x8 and 2x6 for legs and rails, and a pile of 1x4 for slats. Mark is showing great form feeding stock.
The most mind-numbing job was planing all the stock. Here Karen, Barbara and Brenda have taken over the planer.
Karen is squaring up some edges.
Modern technology has a place - routing out the 32 mortices we made that day was a lot quiker than doing it by hand.

There is room for hand work, even in production. Here Barbara is splitting the cheeks off a tenon, then planing the modern tool marks off the surface. Without this critical step all the finishing on earth won’t hide the electric planer’s work.

Mac and Karen have a bedframe! That’s me in front. And I’m not sure if Brenda is faking sleep there - it was a full weekend!